This dynamic isn’t a new revelation about Scorsese’s filmmaking, but it’s essential to understanding why he keeps making movies in this genre. This fundamental equation humanizes the gangsters in Scorsese’s pictures, making us more likely to root for them, even when they’re shown committing horrible crimes. A man may have ultimate power out on the streets, but it means very little if the person he loves betrays him. These questions are the core of Martin Scorsese’s 1995 film Casino, and for that matter, of many of the director’s works. When a low-level thug aspires to lead his own crew, which of his friends can he count on to get him there? Once he becomes the boss, do the guys he leaned on in the past hold true? And what about at home - in the world of organized crime, can a gangster ever rely on the people he loves? Beyond the visceral, in-the-moment thrills of gangster movies - the shootouts, the acidic dialogue, the displays of power - one of the most compelling things the genre can offer is a meditation on trust.
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